讲述清代後宫(the imperial harem)明争冷战的電視剧《甄嬛傳》在荧屏上大获樂成，“甄嬛效应”無处不在，“甄嬛體”、“华妃體”火爆收集，有人乃至将其視為职场新人指南。《甄嬛傳》樂成暗地里事实有着甚麼機密？“I pity the empress. Poor empress。”“我很怜悯皇後，她很可怜。”“Do you think Zhen Huan really loves the emperor?”“你認為甄嬛真的爱天子吗？”From campuses to offices, from shopping malls to the streets, talk about Legend of Zhen Huan is everywhere。从校园到写字楼，从购物中間到陌头巷尾，处处都在评论辩论《甄嬛傳》。
Unlike other long TV series, Legend of Zhen Huan, the 76-episode Qing dynasty drama series, has kept attracting new audiences along the way. It has enjoyed widespread popularity on the Chinese mainland over the past months。分歧于其他的长篇剧集，這部76集的清朝古装剧《甄嬛傳》自播出以来一起火爆，不竭有新觀众参加追剧阵营。。在曩昔几個月中，该剧集在海内大受接待。The story is seemingly the same as those dramas which look into the lives of women in the imperial palace: it focuses on plots and intrigues within the Inner Palace during Emperor Yongzheng’s reign。该剧看起来彷佛同那些讲述後宫女人糊口的古装剧并没有两样：它重要讲述了雍正在位時代，後宫中產生的一系列诡计狡计。
主人公甄嬛(孙俪扮演)開初是位纯真仁慈的奼女，进入後宫成為天子的妃嫔。當意想到在残暴無情的後宫中寸步难行時，甄嬛學會了本身的保存之道。 However, Legend of Zhen Huan seems to arouse more discussion than any drama series. Why? Some experts say it’s because it’s a well-made series from inside out。而比拟其他任何一部電視剧，《甄嬛傳》彷佛更能引發烧议。缘由是甚麼呢？一些專家暗示，《甄嬛傳》之以是如斯遭到存眷，是由于它是部从内到外建造精巧的剧集。
Niu Hanting, deputy editor-in-chief of Art Panorama magazine, told Xinhua News Agency that the sets, props and costumes are elaborate. And the screenplay and dialogue are well-written。《藝術广角》杂志副主编牛寒婷在接管新华社采访時称，背景、打扮和道具都很精巧。脚本和人物對白都也十分出彩。“The series takes care of every detail a good period drama should have,” Niu said. “From that aspect, it’s no coincidence that Zhen Huan could be big。”“這部電視剧赐顾帮衬到了一部好剧应具有的所有细節，“牛寒婷暗示。“从這点来看，《甄嬛傳》成為大热点就绝非偶合了。”
More importantly, Niu added, the TV series strikes a chord among audiences in different ways。牛寒婷还暗示，更加首要的是，這部電視剧从多种分歧的角度引發了觀众的共识。“For example, as a woman, Zhen is hurt by the man she once loved. And as a newcomer to the palace, she finds herself caught 降血脂保健茶,in the fierce infighting and she has to survive,” Niu said。“比方，作為一位女子，甄嬛被本身曾的爱人深深危险。初到宫中，她便發明本身卷入了一系列残暴的明争冷战當中，她必需要保存下去。”“Everyone may find themselves in Zhen’s position at a certain point。”“从某种水平上来说，也许每小我都能在甄嬛的处境中找到本身的影子。
Then it’s not hard to understand why the story of Zhen Huan is even seen as a survival guide for newcomers in the workplace。如许一来，就不难理解為什麼人们乃至将《甄嬛傳》視為职场新人保存指南了。Its director, Zheng Xiaolong, once admitted that in terms of society today, the “promotion” of Zhen Huan reflects a person’s career path in some way。该剧导演郑晓龙曾認可，用當今社會的话来说，甄嬛的步步高升在某些方面也反应出一小我的职業生活。“Whether the principles can be applied in today’s society, or not, I want to make the story as real as possible,” Zheng told Sina.com。“無论這些法例合用現今社會与否，我想尽量地讓故事加倍真实。”郑晓龙在接管新浪網采访時称。“There are many fairytale-like series that make audiences ignore or avoid reality, and the complexity of humanity。”“有很多童话式的電視剧，令觀众選擇轻忽、回避实际和人心的繁杂。”“But Legend of Zhen Huan, is a series that makes you think。”“但電視剧《甄嬛傳》却令你去思虑這些问题。”